Dir: Stuart Rosenberg
We have a quiet suburban house with no one home, everything quiet apart from someone upstairs, the viewer can tell because of some diagetic music heard from upstairs- but apart from that it appears the house is empty and fairly void of life. The camera then goes through several empty hallways to once again establish that no one else is home part from this one person and then finally we have a low angle shot of someone ( a teenage male) on the computer doing drugs and we then hear something falling downstairs such as a pan- the boy turns around and it is the first time we see his face. As he turns his computer screen flickers to show an eye blinking and looking at him and when he turns back around it's gone. He goes to investiage this unusual sound but begins to hear voices in his head saying various things- very quiet and the viewer wondering whether or not it is in his head or not. We have several POV shots from behind the teenager but nothing is ever confirmed to be following him and as he makes his way downstairs a shadow on the wall that looks like a hand seems to be reaching for him. However as he gets into the kitchen things get louder and louder and doors slam shut and it sounds like someone is trashing the house. He enters the kitchen and everything seems perfectly fine but as he turns off the light we hear a lound noise; as he wakes up.
I enjoyed the suburban setting- the feeling that the house is condemned; despite the seeming pleasant exterior. For example the shot above- a seemingly normal house with something dark hidden away inside.
It makes a good loction for filming because it conveys that normality of a typical suburban middle class housing estate. For this reason it would make a great estblishing shot
I'd use a camera shot much like this because it conveys the aspect of binary opposition- a sense that there might be something else in the shot that the viewer cannot see.